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Larry Bell (artist)
Larry Bell (born in 1939) is a contemporary American artist and sculptor. He lives and works in Taos, New Mexico, and maintains a studio in Venice, California. From 1957 to 1959 he studied at the Chouinard Art Institute in Los Angeles as a student of Robert Irwin, Richards Ruben, Robert Chuey, and Emerson Woelffer.〔Loretta Howard Gallery Larry Bell bio http://www.lorettahoward.com/artists/bell〕 He is a grant recipient from, among others, the National Endowment for the Arts and the Guggenheim Foundation, and his artworks are found in the collections of many major cultural institutions. Bell’s work has been shown at museums and in public spaces in the United States and abroad over the course of his 40-year career. Larry Bell is one of the Sgt. Pepper's Lonely Hearts Club Band cutouts.
==Critical analysis of work==
Larry Bell's art addresses the relationship between the art object and its environment through the sculptural and reflective properties of his work. Bell is often associated with Light and Space, a group of mostly West Coast artists whose work is primarily concerned with perceptual experience stemming from the viewer's interaction with their work. This group also includes, among others, artists James Turrell, John McCracken, Peter Alexander, Robert Irwin and Craig Kauffman On the occasion of the Tate Gallery's exhibit ''Three Artists from Los Angeles: Larry Bell, Robert Irwin, Doug Wheeler'', Michael Compton wrote the following to describe the effect of Bell's artwork:
At various times and particularly in the 1960s some artists have worked near what could be called the upper limits of perceptions, that is, where the eye is on the point of being overwhelmed by a superabundance of stimulation and is in danger of losing its power to control it... These artists sometimes produce the effect that the threat to our power to resolve what is seen heightens our awareness of the process of seeing...However, the three artists in this show... operate in various ways near the lowest thresholds of visual discrimination. The effect of this is again to cause one to make a considerable effort to discern and so to become conscious of the process of seeing.〔Compton, Michael. Catalog essay from ''Larry Bell, Robert Irwin, Doug Wheeler'' exhibition at Tate Gallery, London, 1970〕
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